Forgotten Apples in Them Thar Hills

There are two basic approaches to cider making. One uses apples as a starting point, a canvass that can be enhanced by the addition of any number of other flavor components. In the other approach, the apple is the whole point. Ciders who’s raison d’être is the expression of the apple require fruit with a special nuance and character, and sadly, such apples are in short supply. The modern marketplace is as much responsible for this state of affairs as Prohibition as many cider-worthy apples available in the 18th and 19th centuries have fallen out of favor with growers. Of the 7500 known apple varieties a mere 100 are grown commercially, and just 15 account for 90% of the fruit grown in the U.S. Lucky, or prescient, cider makers such as Steve Wood (Farnum Hill), Craig and Sharon Campbell (Tieton Ciderworks), Diane Flynt (Foggy Ridge) and Chuck and Charlotte Shelton (Albemarle Ciderworks) started with orchards and put in long neglected varieties well before cider became the hottest trend in the U.S. beverage market. Everyone else is scrambling, starting new orchards and meanwhile sourcing fruit any way they can. There is one resource that may have gone overlooked, the many orchards planted by 19th homesteaders and then, for a variety of reasons, abandoned. This is what Trudy and Jim Davis at Eaglemount Wines and Ciders have done, but there are still many old homestead orchards that remain untapped.

Travel down any one of the dirt roads found in Nevada County, California, for example, and you will almost certainly come across a piece of living history. Carved into the Sierra Nevada in the 19th century these roads lead to hundreds of gold mines and mining camps, remnants of an industry that took California from a sleepy backwater to an economic powerhouse within a few short years. Little remains of the saloons and blacksmith shops, the boarding houses and general stores. But what you will find are trees, trees laden with fruit, a living legacy of a time long past.

An abandoned 19th century orchard building
A 19th century orchard building

California wasn’t even an official US territory when those first nuggets were found at Sutter’s Mill in 1848. The population of San Francisco was about 200, and there were fewer than 10,000 non-native people in the entire state. That changed in a hurry, and by the time California became a state two years later the population had grown more than 10-fold. Not everyone who came was destined for mining, though. Some decided a more certain way to make their fortune was by supplying the miners with the essentials of living. As permanent mining camps sprang up, enterprising famers, planted orchards and vineyards to help feed the hungry hordes and provide the raw materials for the intoxicating drinks that helped while away the evening hours.

White Pippin Apples (aka Ortley)
White Pippin Apples (aka Ortley)

The early miners found gold deposits in the existing river beds, but this easy gold was soon exhausted and new methods of extraction brought into play. The most successful was hydraulic mining where pressurized water from upstream dams was used to blast off huge amounts of soil, freeing up the gold deposits beneath. The water runoff was directed into ditches that farmers tapped into to water their newly planted trees. Everybody thrived, and some got really rich. The trouble was that hydraulic mining was then, as now, an environmental disaster, both for the hillsides stripped to the bones as well as the communities flooded out by silted up rivers downstream. By the mid-1880s hydraulic mining in the Sierra Nevada had been effectively outlawed. The new hard rock mines that became the only way to get at the gold required capital that was beyond the reach of most miners, so one by one they moved on, leaving the once bustling mining camps and homesteads abandoned and the trees left to the bears.

A Newtown Pippin near and old shed
A Newtown Pippin near and old shed

A remarkable number of these orchards have survived into the 21st century, and remain surprisingly productive. Organic farming pioneer “Amigo” Bob Cantisano first encountered a handful of old Nevada County, CA orchards in the 1970s, and was so taken with their striking longevity under challenging conditions that he and his fiancée Jennifer Bliss have since made it their mission to locate, identify, and propagate these historic fruits through the non-profit organization The Felix Gillet Institute, named in honor of the visionary 19th century horticulturist who’s nursery was located in nearby Nevada City and who might well have supplied many of the area’s farmers with nursery stock. Founded in 2003 with just a handful of known locations having heritage trees, the FGI’s list has expanded to more that 700 sites over four counties – Nevada, Placer, Yuba, and Sierra.

Amigo evaluates a fallen yet thriving apple tree
Amigo evaluates a fallen yet thriving apple tree

The list of species they are considering is impressive – apples, pears, quince, cherries, plums, figs, grapes, almonds, filberts, walnuts, chestnuts, and pecans, just to name a few – and the number of varieties staggering. Each tree, shrub, or vine receives an initial assessment for location and environment, overall health, physical damage (usually from bears), productivity, and whether there is suitable growth available for propagation. If they are lucky they can assign a variety name as well, although this is often impossible in the field. Variety identification has been one of the major challenges as so many of the fruits and nuts that were available in the 1800s are quite rare today. Still, they and their colleague Adam Nubar have made quite a bit of progress, especially in the identification of heritage apples. It is exciting to note that any number of varieties that they’ve identified are not currently represented in any of the major collections in the U.S. Recently ten of the rare fruit and nut varieties discovered by the project have been included in the Slow Food Ark of Taste, further validation that these varieties are both unique and rare.

Arranging unknown apples for their photo shoot
Arranging unknown apples for their photo shoot

History comes alive in these orchards. There are Pitmaston Pineapples (1785) with their subtle pineapple undertones, Royal Russets (19th century) with sweet crisp pear-like flesh, and Wyken Pippins (late 18th century) who’s bright lemony flavor and tannic finish could make for a very interesting cider. Here is the White Pippin described in the 1860 Proceedings of the American Pomological Society as “worthy of notice.” Nearby is a Yellow Bellflower, an American variety who’s origins went undocumented, though William Coxe, author of The Cultivation of Fruit Trees, described what he believed to be the original tree in New Jersey as already large and old in 1817. Even older is the Bergamotte de Bugi pear, a winter pear who’s disputed origins are shrouded in mystery (French say some, Italian say others) but shows up in catalogs of pear trees as early as 1695, or the Caville Rouge d’Automne apple first described in France in 1670. The Reinette Verte (France, 1850) was reported to keep from December to May in an era before climate controlled warehouses. And in front of an old farmhouse one of America’s first super-star apples, the Newtown Pippin. Originating as a chance seedling on Long Island, NY in the early 18th century, the Newtown Pippin was championed by Thomas Jefferson and became a significant colonial export.

Wyken Pippin Apples
Wyken Pippin Apples

The ultimate goal of the FGI is the creation of a mother orchard that preserves as many examples as possible of these remarkable survivors so that scion-wood can be made readily available for future generations. The team has been grafting and selling a sampling from the FGI website for a couple of years, and in 2014 completed a crowd funding project through Barnraiser (a sort of agricultural Kickstarter) to start a multi-acre mother orchard at Heaven and Earth Farm.

But the original orchards continue to bear fruit that goes unused, except for local wildlife. Could they present some enterprising cider maker with the raw materials for a cider that celebrates apples and their remarkable diversity? Perhaps, but in the meanwhile the work being done by Amigo, Jennifer, and Adam will assure that an important resource will continue to survive well into the 21st century. We can only look forward to what forgotten “gold” their efforts will uncover next.

Cider Unites the World

The woods stretching between the airport and the center of Frankfurt are just beginning to leaf out, clothing their bare limbs in a mist of green. Spring has finally come, and though it is still too soon for local apple blossoms, April is a perfect time to celebrate the previous year’s harvest at the International Cider Fair or Apfelweinmesse. Founded and run by cider maker Andreas Schneider and cider sommolier Michael Stöckl after attending a similar even in Asturias, Spain in 2007, the fair is now in its seventh year of welcoming producers from around the world to share their ciders with a most appreciative audience.

The 2015 Apfelweinmesse gets underway
The 2015 Apfelweinmesse gets underway

Cider, or apfelwein as it is known locally, has both a long and not so long history in Germany. Certainly it played a role in the country’s historic past since Charlamagne, who built his main castle at what is now the city of Achen, wrote about the making of cider on his various estates in the early 9th century.  It doesn’t seem to have held a prominent place on the German table, however, until phylloxera wiped out most of Europe’s vineyards a thousand years later. The pragmatic people of the state of Hesse turned to apples as a substitute.  And while apfelwein and it’s culture suffered during the wars of the 20th century, it has survived and in recent years has experienced a bit of a comeback.

The majority of the 80 producers that participated in the 2015 Apfelweinmesse were German, mostly from the area surrounding Frankfurt.  Some, like Possmann, focus on apfelweins made in a traditional style and sold in distinctive wide, brown bottles. They are tart and dry and still and are a welcome accompaniment to traditional German staples like rich sausages or a local specialty of cheese dressed in seasoned vinegar and raw onions called Handkäse mit Musik.  Many more producers are taking a different path. Starting 10 or 15 years ago, some German cider makers began focusing more on the wine aspect of apfelwein and are now making a whole range of increasingly sophisticated products.  

A selection of Apfelweins
A selection of Apfelweins

One standout example is Weidmann & Groh.  Founded in 1989 to create distilled fruit liquors, the company began producing apfelweins in 2008 under the leadership of the young Norman Groh.  He relies on a range of local apple varieties in combination and as single varietals and is willing to experiment with non-traditional techniques.  The Boskop Barrel Aged, for example,  is a dry single varietal apfelwein aged in used French Chardonay barrels giving it a rich oaky nose and hint of vanilla on top of a tart, citrusy finish.  Bonapfel No. 3, a recent release, is fermented with Malden hops which give this semi-dry apfelwein a mild grassy note and slightly more astringency in its clean finish.  

Another notable German producer is Apfelwein Kontor.  Owners and cider makers Konstantin Kalveram and Michael Rühl started writing about the Hessian apfelwein scene in 2008 before opening a shop in Frankfurt’s historic apfelwein district of Sachsenhausen.  Producing their own vintages in limited amounts for the last 4 years or so, they focus on traditional apple varieties and additions such as speierling, the fruit of the service tree (Sorbus domestica).  The 2014 Goldpearmäne mit Speierling is good example of their point if view.  Semi-dry and still, it is a slightly cloudy rich gold, tart and bright up front flowing into a warm fruity mid-palate, and finishing with the clean mild astringenecy contributed by the speierling.

Regional apple varieties
Regional apple varieties

Of course as this was an international event, there were many producers from other parts of the world, primarily Europe, including Spain, Denmark, Switzerland, the Netherlands, Ireland, Italy, and France.  Even the most dedicated cider drinker cannot hope to sample ciders from all of them in the coarse of one 7 hour event.  Here, however, are a few highlights:

Maley – Situated in the Italian alps in a valley below Mont Blanc, Maley produces a range of sparkling ciders from apples grown at 1500 meters (5000 feet), surely the highest cider orchards in Europe.  They range from bone dry to medium dry, bright and lively and reminiscent of champagne and pro secco.

Domaine Bordatto – Bitxinxo Aphaule seems to be a bit of an experimentalist while simlutaneously embracing the traditions of his terrior, producing not only ciders in the traditional French Basque style but a range of more thoughtfult innovative flavors.  One of the most interesting, Biholz (Basque for ‘the heart’) is made from freeze-concentrated juice that is barrel-fermented in barrels with a history – wine for 2 -3 three years (Bitxinxo also produces well respected Basque wines), then one of the other Domaine Bordatto ciders (Txalapata) for a season.  The result is a lovely subtle nutty sweetness with a touch of vanilla and a slight bitterness in the finish.  It takes 12 kilos of apple to make just one 500 ml bottle.

Daniel Emerson, owner and chief cider maker of Finnbarra Cider
Daniel Emerson, owner and chief cider maker of Finnbarra Cider

Finnbarra – Ireland’s craft cider makers were represented by Daniel Emerson and his Finnbarra Ciders.  The dry and medium ciders are both mildly sparkling and rich with fruit.  His latest release is Tawny, a dry hopped cider fortified with distilled apple spirits to create a cider that would work well over ice as an apéritif.  The hops add a mild bitterness to the tart fruit, but don’t pass on the herbal character found in some hopped ciders.  

As cider enters the consciousness of more Americans, some will become curious about ciders from other traditions.  Events such as the Frankfurt Apfelweinmesse teach us that apple juice, yeast, and time can produce a world’s worth of libations, each with their own character and place.  Though some will think it heretical to say, there is no one “proper cider” any more than there is one “proper wine” or one “proper beer”.  There is, instead, an opportunity to touch both history and the future in a single glass and unite the world in appreciation of what is possible from the humble apple.

Cocktails in Paradise

Writing can take a little time, if you are doing it thoughtfully, and it can be challenging to find that kind of time when you are on the road.  Still, it is the final Friday of the month, which means it is time for a cider recipe.  I’ve been drinking a lot of cider cocktails lately – cider can be an excellent constituent in all manner of mixed drinks – and as I am currently in a paradise of tropical fruits it seems fitting to share a recipe that combines the two, the Kehei Inu.

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  • 2 1/2 ounces golden rum
  • 1 1/2 ounces lilikoi juice
  • 1 ounce fresh orange juice
  • 1 tsp fresh lime juice
  • 5 ounces chilled pineapple cider
  • fresh pineapple to garnish

Mix the rum and juices together in a cocktail shaker, add some ice and shake well to combine.  Strain into a glass, add the cider and some more ice, then garnish with the pineapple.  Drink on a lanai surrounded by birdsong while watching the sun sink gracefully into the ocean.

A Cider a Day…

sign It must have come as a bit of a shock to Joel VandenBrink when he discovered that he could no longer drink beer. That’s a small exaggeration, but several years after being diagnosed with Crohn’s disease the owner and head brewer at the award winning Two Beers Brewing in Seattle realized that his system just couldn’t handle more than a one beer at a sitting.  For someone whose company motto was “life’s a little more honest after two beers” being limited to one was pretty close to being cut off entirely.  Friend and colleague Brent Miles, with his family history of celiac disease, faced a similar problem.  Luckily, they were in a perfect position to explore creating a great tasting session beverage that was easier for them to digest.  A gluten-free beer was an obvious choice, but they had a better idea – make cider! As brewers they already understood the basics of fermentation, the importance of cleanliness, and the mechanics of getting from raw ingredients to liquid in a bottle or keg.  So they set out to learn about apples.  They started with small tests of indivdual apple varieties all fermented under identical condtions, then moved on to fermenting the same apple varieties at different temperatures, and finally with different strains of yeast.  Along the way they sampled and took notes and did the one thing that is essential for every cider maker – they taught themselves how to taste.  Anyone can learn the mechanics of makng cider, but the art is in being able to understand and combine flavor components that can make up a perfectly balanced, perfectly drinkable glass. Seattle Cider Company, the first cidery opened in Seattle since Prohibition, launched next door to its sister Two Beers in 2013 and has never looked back (Washington’s alcohol laws dictated separate companies under separate licenses).  They produce two year round ciders, dry and semi-dry, made from a blend of desert apples grown and pressed in the nearby Yakima Valley for same day delivery to the cidery, as well as a rotating range of seasonal and limited release ciders using a similar juice blend in combination with other flavor components such as the spent gin botanicals they get from local small distilery Batch 206.  Unlike some flavored ciders, any extras are added before fermentation gets underway so that the yeast has an opportuntiy to work its alchemical magic on a richer starting mix.  The results are often more nuanced than obvious.  The pumpkin, cloves, and cinnamon in the Pumpkin Spice doesn’t scream of pumpkin pie but of a warm subtle earthiness.  Similarly, the Three Peppers cider builds its flavors in layers, starting with an intriguing muskiness in the nose from the poblanos, to the sharp green bite of the jalapeños, finishing with the citrusy habañero.  The combination is snappy without being overwhelming.   image The company gives a nod to more traditional Old World ciders with its Heirloom Blend, a combination of Pippin, Winesap, Jonagold, and seven varieties of British and French cider apples.  Explosively sparkling, this rich straw-colored cider has a ripe apple nose and a flavor arc that starts with a summer fruitiness – a bit of apricot, perhaps – that gives way to a tart brightness with an underpinning of mild tannins and a smooth clean finish.  As with all the Seattle Cider offerings, the bottle lists the level of residual sugar, the brix.  This is a very sensible labeling choice on Seattle Cider’s part, for nothing can be more dissapointing to the discerning cider drinker than selecting a cider with the word “Dry” on the label only to discover that the cider inside is sweet enough to double as a desert topping. 

The Woods
The Woods

As with many cideries, Seattle Cider has a tap room, The Woods, serving both their ciders and Two Beers brews.  It’s a popular spot tucked away in a somewhat gritty area of warehouses and the like, perfectly in keeping with Seattle’s modern youthful edge.  It’s also a perfect place for Joel and Brent to try out new ideas and get a little instant feedback on future releases.  As several of their first ciders garnered awards at the 2014 inaugural Pacific Northwest Cider Awards, Joel and Brent appear to be looking at a very bright future indeed.

Where the Wild Things Are

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We simultaneously long for and fear wild things. Wildness is freedom; it is the world revealed as beholden only to itself, indifferent to us and our need to be the center. We sense, subliminally, that the uncontrolled gives rise to the possibility of unexpected creation in a way that the controlled does not while recognizing the cliff’s edge that allows for catastrophe.

Wildness is seldom connected to apples. Apples, in most minds, conjure visions of closely tended trees arrayed in ordered rows like soldiers on parade. These are not the apples that attract the interest of Andy Brennan of Aaron Burr Cidery. His are the apples found in the odd corners, at the woods’ edges where the deer lost sight of them and so let them grow unmolested until tall enough to tolerate the occasional browsing. These are the apples celebrated by Thoreau in his 1862 essay Wild Apples. “Every wild-apple shrub excites our expectation thus, somewhat as every wild child. It is, perhaps, a prince in disguise.” It is the princes that Andy seeks as he and his wife Polly ramble through the woods near their small Wurtsboro, NY home and farm. And his princely finds are the key to his extraordinary collection of ciders.

Wild apples ready for the press
Wild apples ready for the press

Andy’s cider making began in 2007, driven by economic necessity, as beer money was scarce at the time, but also by a deep interest in what sustains, what enriches, what connects – Sustenance. His vision is of a return to American cider’s roots, of scores of small cideries dotting any landscape where apples thrive, and of cider replacing wine with an evening meal. It is a vision that celebrates regions and communities, much as the cidery’s name sake Aaron Burr, who is chiefly remembered for his duel with Alexander Hamilton but who’s political philosophy embraced a decentralized democracy rather that a strong central government and, incidentally the expansion of rights for women and the enslaved. Releasing its first cider commercially in 2011, the cidery’s output remains small, in part because the volume of foraged apples from a particular location has its limits.

Wildness extends to the process by which the Aaron Burr ciders are made. Striving to let the character of the fruit drive the way in which it is transformed, Andy will often let the fermentation proceed with just the natural yeasts inherent in the fruit in the absence of yeast-killing sulfites. He relies on the cold of winter and carefully timed racking to control the speed of fermentation, transferring the mostly (but not completely) fermented cider away from the lees (the layer of yeast at the bottom of the fermentation vessel), once to slow things down, and again at bottling. This sort of process takes time; a year to completion is not uncommon.  The cider is never filtered, meaning that it remains a living thing as some stray yeast cells find their way into the bottle, changing its contents to develop not only a natural fizz but an increased depth of character.

One recent release, the 2013 Neversink Highlands vintage, was made from wild apples found in eastern Sullivan County, NY. It is a rich gold and slightly cloudy, bursting with bubbles. Each sip reveals a new layer of flavor – tropical fruits, flint, and a resonant tannic woodiness. It is a marvel.  No session drink, but one with such personality that one must stop and attend to it, consciously experience its unfolding on the tongue.

It is that sense of marvel, perhaps, that has propelled the Aaron Burr ciders into the Manhattan fine dining scene. That and Andy’s willingness to spend time with a restaurant’s staff, explaining the ciders, their history, their point of view. They are not really like anything else that a staff has likely encountered, so some coaching is almost a requirement. Yet the elegance of the cider itself says as much as Andy possibly can. The word ‘authenticity’ is more than a bit over done these days, but in this instance the word is apt. Authentic. Not necessarily elegant in the way one sometimes thinks of a great wine, but these ciders are so insistently themselves, so much an expression of their place that they fairly shimmer with all that embodies the notion of terroir.

The young orchard
The young orchard

Andy and a local farmer friend have recently been grafting bits of wood from the wild trees he loves the most, moving them into the order of an orchard, away from their wild wood. Will this change them, make them domesticated, and more ordinary? Perhaps not, for some of our most beloved American apples, those being rediscovered in this new age food awareness, were once chance seedlings themselves. They made the move gracefully, as far as we know. Wilding or not, these apples will at the least reflect their new place as well as their old heritage. And with Andy’s painterly touch no doubt the ciders that emerge will yet embody the microcosm of influences that create both apple and cider.

Pots de Créme with an Iced Cider Gelée

This classic French dessert with a bit of a twist is modeled after a luscious variation I had at The Gilbert Scott in London several years ago. The dark chocolate custard is topped with a layer of ice cider gelée, whose tart apple underpinnings balance the creamy richness below. You’ll need some 6 ounce custard cups and a some sort of roasting or brownie pan that is about as deep at the custard cups are tall.

pot de créme

  • 4 egg yolks
  • 1 whole egg
  • 2 Tbsp superfine sugar
  • 6 ounces bittersweet chocolate, at least 70% cocoa solids
  • 1 cup heavy cream
  • 1 cup whole milk
  • 1 pinch of salt
  • ¾ cup ice cider
  • ½ tsp powdered gelatin

Preheat your oven to 200 degrees. Mix the egg yolks, whole egg, and sugar together in a large bowl until they are fully blended but not frothy.

Break the chocolate into pieces and put them in the top of a double boiler along with 2 Tbsp of the cream and the salt. (If you don’t have a double boiler, you can make one by simply placing a metal bowl over a pot with a couple of inches of water in it.) Bring the water in the bottom of the double boiler to a simmer and let the chocolate melt, stirring from time to time so that the chocolate stays nice and creamy. Meanwhile, put the rest of the cream and the milk in a separate pot and heat until the mixture has just started to form little bubbles around the edge. Turn off the heat and reserve until the chocolate has completely melted. Once the chocolate has melted, take it off the heat and begin whisking in the hot milk/cream a little at a time. You may need to add a little, whisk a lot, add a little, whisk a lot for a while so that the milk/cream fully incorporates into the chocolate without separating. Eventually you can add more milk/cream at a time, whisking away, until all the milk/cream is in.

Pour about ¼ cup of the hot chocolate cream into the eggs, while beating them so they don’t scramble, then whisk the tempered eggs back into the chocolate cream. Fill 6 custard cups with the custard-to-be to about ½ inch of the rim, place them in the roasting pan, then fill the pan with boiling water – just enough so that it comes about half-way up the sides of the custard cups. Place in the middle of the oven and bake for 1 hour and 20 minutes, or until the custard seems fully set (it will jiggle a little in the middle, but will look more or less solid). Remove from the oven, and the roasting pan, and chill for at least 2 hours.

To make the ice cider gelée, put the ice cider in a small pan then sprinkle the gelatin over the top. Let them sit for 5 minutes, then bring to a simmer. Simmer 1 minute, then let it sit off heat for 2 minutes. Pour onto the top of the chilled pots de créme, and chill again until the gelée has set, at least 2 hours.

Makes 6 pots de créme

The Varied Ciders of Quebec

Just about every article published about cider starts by telling the reader how popular cider was in the British-American colonies, about John Adams and his daily breakfast tankard and Ben Franklin’s suggestion that it was a waste to eat apples when they could be cider instead. The French colonists to the north were cider drinkers, too, bringing it along during their early explorations of New France at the turn of the 17th century. By the mid-1600s orchards were in place, cider presses had been imported, and production was in full swing. Still, cider was never quite as popular as wine, though, despite many attempts, French wine grapes didn’t much care for the local climate so wine had to be imported and was consequently more expensive. Matters were’t improved a century later when France ceded it’s control of the area to Great Britain as the new British overlords were much more interested in promoting their own imported products.

A venerable and productive apple tree
A venerable and productive apple tree

By the early 20th century and Quebec’s brief flirt with Prohibition, the commercial production of cider seems to have been tiny at best, for when Quebec passed the Alcoholic Beverages Act of 1921 creating the legal framework for government-controlled sales of wine and spirits, cider was left off the list, an oversight that wasn’t corrected for almost 50 years. Not that cider wasn’t being made, exactly. By this time the antedeluvial soils of the broad St. Lawrence Valley that stretches north from the Great Lakes were full of apple orchards, and some orcharding families, like the Jodoins of Rougemont, were making a bit of cider on the Q.T. Even after cider was added to the list of legal beverages, though, growers were still not allowed to make it from their own fruit. The first ciders were chiefly made by large processors using apples that weren’t sellable in any other market. Though produced from 100% juice (by law) the quality left much to be desired. Finally, in 1988, the first cidriculture permit was issued to oenologist Robert Demoy, founder of Ciderie Minot, with the second issued three months later to Michel Jodoin. And Quebecois cider was on its way.

One stop on the Route de Cidre
One stop on the Route de Cidre

Well, almost. Cider had been absent from the market for so long that it was a bit of a hard sell. It took the invention of a completely new thing – ice cider – to get things off the ground again.

Ice cider. Rich and sweet with smooth flavors of carmelly apple that are nicely balanced by an underlying acid bite that prompts another sip, and another, and another. The category was developed independently in the 1990s at opposite ends of Quebec’s cider region – by forester and orchardist Pierre LaFond at Ciderie St-Nicolas near Quebec City and by Christian Barthomeuf, first while at Domaine Côtes d’Ardoise, then in conjunction with François Pouliot at La Face Cachée de la Pomme and Charles Crawford at Domaine Pinnacle. By now, there are several dozen cideries large and small making ice cider, which has developed an international presence and spawned both a cider-based tourist industry and an annual cider-celebrating event.

As ice cider’s reputation has spread and become almost synonymous with Quebec (although there are quite wonderful ice ciders being made elsewhere) the rest of the Quebecois cider industry, while continuing to grow, has been a bit overshadowed, at least outside of Quebec. Almost every cidery that produces an ice cider produces a range of still and/or sparkling traditional-style ciders as well, chiefly from the widely grown McIntosh, Empire, and Spartan apples. They are bright and clean, more likely to be semi-dry than dry, some strikingly fruity and others tasting more like a crisp white wine.

Young Geneva crabapples
Young Geneva crabapples

Interestingly, the drive to innovate that produced ice cider continues to thrive leading a number of successful cider makers to pursue some new and exciting offshoots. Chief among these are the rosé ciders. Most are made from the Geneva crabapple, a seedling discovered at an Ottowan agricultural research station by noted crabapple breeder Isabella Preston in the 1930s. François Pouliot’s Bulle Rosé, made using the méthode champenoise and spending 18 months on the lees, is as dry and sparkling as a classic rosé champagne with undernotes of berries and spice. The Rosé of Les Vergers de la Colline, made from a blend of Cortland and Honeycrisp apples and Dolgo crabapples, is allowed to rest for an extended time after the apples are crushed to extract extra flavor and color from the crabapples. It is a still, semi-dry cider that opens with a brisk tartness and finishes with the flavor of ripe strawberries.

Some of the Jodoin rosé ciders
Some of the Jodoin rosé ciders

Michel Jodoin has perhaps most fully embraced the rosé ciders for he is currently making five distinct varieties plus a pommeau (a mixture of eau-de-vie and rosé apple juice). All are based on the Geneva crabapple, which contributes tannin as well as color, though some are blended with either McIntosh or Cortland apples. The single varietals made from the Geneva crab are a fascinating study in just how much production methods influence flavor. The still cider Rosalie, for example, is big for a cider, more of an apple wine at 12% ABV. Fruit forward and well structured from the tannins in the crabapple, it starts with the floral berry flavors common in rosé ciders before finishing with a clean tartness. The sparkling Cidre Rosé Mousseux, made using the méthode champenoise, is spicy with an abundance of clove in the midst of the berries and reads a little drier. The ice cider, Cidre de Glace Rosé, explodes with raspberries both in the nose and on the palette with but a little of the spice of the Cidre Rosé Mousseux and none of the floral character of Rosalie.

As interest in cider increases in the U.S. so will the likelihood of finding some of these unique ciders. Recently, François Pouliot conducted an ice cider tasting seminar for attendees at the U.S. Association of Cider Makers convention, and both Pouliot and Les Vergers de la Colline presented ciders at the 2015 Chicago Cider Summit. One can even find Pouliot’s Neige ice cider at BevMo’s online store, although it is mysteriously listed under ice wines. But a better bet is to make the trek to Quebec yourself and spend a glorious late summer day driving through the lush orchards full of fruit and the promise of ciders yet to come.

A Cider Pioneer

ace sign

This is the story of cider in the dark days before it was hip and of one man’s decision to bring cider back to northern California and in the process lay some of the groundwork for today’s cider renaissance.

Which would you guess sold more in the U.S. in 2014, cider or pale ale? Would you be surprised to learn that it was cider? In fact, cider out sold every craft-style beer category except IPAs, a testament to cider’s skyrocketing popularity. It was not always so. Even as recently as 2012 the number of beer drinkers that drank cider, a reasonable measure of changing tastes, was one-sixth of what it is today. And 25 years ago, when someone thought of cider they invariably thought of something sweet and soft, like Martinelli’s. That was the way the world was when British expat Jeffrey House founded the California Cider Company, maker of Ace Cider, in 1993.

Cider wasn’t even a blip on Jeffrey’s radar as he was working in advertising in mid-1970s London. But the firm where he worked wasn’t going anywhere, and he was restless for something new. The economy in the UK was in a shambles with rampant inflation and rising tax rates, and though he knew only one or two Americans personally, the US seemed like a country of optimism and opportunity. So with the rumor in his ear of a possible job, he sold all he had and hopped a plane to sunny California. The job never materialized, but San Francisco in 1977 was a place where the possibilities seemed endless. He was able to keep the rent paid by picking up the odd job here or there until one night in the classic fern bar Lord Jim’s he met a fellow with a wine business. This chance encounter led to a job selling spirits, a green card, and eventually the formation of Thames America Trading Company with a couple of partners. Their plan was to import British beers for the lively San Francisco bar scene. And here’s where cider comes in.

The tasting room bar
The tasting room bar

They started off with Fuller’s London Pride, and were reasonably successful. Except at the many Irish pubs, places like Ireland’s 32, a reference to the “lost” counties of northern Ireland and the hopes of many Irish expats that Ireland could be a whole nation once again, which gives you an idea of the reception a British seller of British beer might receive. Still, Jeffrey was, and is, an affable fellow with no real antipathy toward anyone, so he kept at it until finally one barman consented to talk to him. “Eff your London Pride”, the conversation started. “What about your effin’ cider?” Cider?, he wondered. Wasn’t cider a ladies’ drink? Maybe where he came from, but they drank a lot of it in Ireland, home to Bulmers, one of the largest cider producers in the world. They still do, in fact. So back he went to England and returned with an agreement from Taunton Cider in Somerset to import their Blackthorn brand. Through dogged persistence and a willingness to explain over and over again that Blackthorn was a fermented, alcoholic beverage, he had by the early 1990s made it the best selling draft cider on the West Coast. Success can be a two edged sword, however. Taunton must have seen that there was growing potential for cider in the US, and when Miller Brewing suggested a partnership – Taunton would distribute Molson beer in the U.K.; Miller would distribute Blackthorn cider in the U.S. – Jeffrey was paid off with a bit of cash and a hearty Thank you but we’ll take if from here.

tasting room entrance

Fine, he thought. He’d already noted that Sebastopol, about an hour north of San Francisco in Sonoma County, looked a lot like the apple growing counties he remembered from England (despite increasing pressure from the wine industry to turn every square inch into vineyards), so why not make his own cider to replace his lost Blackthorn? He bought out his Thames America partners and joined forces with a couple of consultants from the wine industry (including David Cordtz, founder and cider master of Sonoma Cider). They got juice from a local apple processor (desert apples, because that’s all there was) and started making test batches in the facility of one of the local wineries. The first product, Ace Apple, was launched into the market in 1993. All those relationships with bars built up through years of hard work paid off, and Ace Apple soon was replacing Blackthorn in many of the old accounts.

On premise sales were really what California Cider Company was after. But Jeffrey happened to know a buyer for the Lucky’s Supermarket chain, so one day he and David paid him a visit. The shift of Blackthorn from Thames America to Miller was still in process, so Jeffrey thought he might be able to coax a few last sales out of Lucky. The buyer was mildly interested, but what he really wanted was an American cider, and he wanted it in 22 oz bottles. “Can you do that?” “Oh, sure”, came the reply. “Well, I’ll take a container!” And off they went to quickly figure out to take something they had only ever intended putting in kegs and get it into bottles suitable for grocery store shelves.

And that, perhaps, is the lesson for how to sell a beverage that no one has heard of. Be friendly and persistent, and above all, be flexible and recognize a good opportunity when it comes along.

Tasting room tap handles
Tasting room tap handles

Today the company makes eight different ciders from dry, with 0.5% residual sugar, to medium (3.5% rs). The biggest seller, the pear cider, is also the sweetest, but it, like all the Ace ciders, is an accessible, refreshing drink, a little tart with a clean finish. Quaffable, one might say. The ciders hew closely to their originator’s vision of something straightforward to have at the pub with friends while you play a bit of pool or simply wind down from a long day. Though the business has expanded to 44 states so far and is looking for opportunities abroad, it remains family owned and close to it’s Sonoma County roots. Two of Jeffrey’s sons already work with him and the third will join the business after college graduation in June. The consummate publican, Jeffrey can always be found on a Friday afternoon in the tasting room, having a pint himself, and chatting up anyone who wanders in. One person will start playing the piano while another racks ’em up on the pool table. And for a few short hours you can imagine yourself back in one of those old Irish pubs that launched Jeffrey’s cider adventure so many years ago.

Cider and the Sustainable Farm

tasting room

There was a time when the small family farm was the heart of American agriculture, a time when local food production wasn’t an exciting new trend but just the way things were. The face of American farms has changed dramatically in the last century. Overall farm land is being consolidated, individual farms getting larger, and farmers getting older with the average age now pushing 60. And while industrial mono-crop farms may keep the cost of commodity foods lower, there is a sense that some piece our cultural heritage has been lost in the wake of these changes. In recent years, though, there has been some flow in the other direction with young farmers taking up the call and getting their hands in the dirt, farmers such as Keith and Crystie Kisler of Finnriver Farm and Cidery.

Keith and Crystie have distinctly different origins. His family has been farming in eastern Washington for four generations; she’s from the Big City east. But they have a mutual love for the land and a desire to share their vision of rural life. They found a place to put down roots in the verdant Chimacum Valley of Washington’s Olympic Peninsula, and in partnership with farmers and friends Kate Dean and Will O’Donnell, created Finnriver Farm in 2004 (Finnriver gets it’s name from the couples’ 2 eldest sons, Finnegan and River). They began by growing a diverse mix of certified organic fruits, and vegetables, berries in particular, selling to local restaurants and farmers’ markets and inviting the public to visit the farm to pick berries for themselves. From the beginning they have thought about ways they could weave the life of the farm into the fabric of their community while including elements that would allow city dwellers to experience some of their own connection with the land. It is this vision that eventually led them to include cider making as one facet of the farm’s output.

Blueberries and sunchokes
Blueberries and sunchokes

Neither had thought much about cider until their good friend and neighbor, Elijah (Lige) Christian, brought over a bottle of his own one day. They were struck by its complexity of flavor and sense of authenticity, things that they hadn’t found in the ciders they’d tried before. Keith did a handful of experimental batches with apples from their existing orchard, heirloom dessert and culinary varieties, and within a few years they launched the cidery, winning a double gold medal at the 2010 Seattle Wine awards with their first release. They have had such success that they recently expanded their cider apple and perry pear orchard by leasing the 50 acre historic Brown Dairy Farm nearby, with expectations of growing it to 4000 trees, including more than 900 cider apples transferred from the orchard of their mentor retired cider maker Drew Zimmerman.  And the cidery crew has grown from just Keith and cidery co-founder Eric Jorgensen to a crew of at least a half dozen, including chief cider maker Andrew Byers, who came from the respected Eve’s Cidery in upstate New York.

The ciders themselves seem to spring from the gestalt of the farm. The contemporary-style ciders such as the Habañero, fruity and dry with a pleasant sting of pepper in the nose and a warm, mild burn on the finish, and Dry Hopped, dry with an herbaceous citrusy tang from their own Cascade hops, are clearly inspired by the many fruits and vegetables grown just outside the cidery doors. The seasonal releases speak more to the way the sense of the surrounding land changes as the seasons pass. The Black Currant Lavender is fruity and somewhat sweet with a floral underpinning that speaks of hot summer afternoons. The Forest Ginger, a mix of organic ginger and fir tips that give the cider a rich resiny nose, brings to mind walking into the woods on a crisp fall morning. As the produce and botanicals needed are brought in from regional, organic growers, when not grown on the farm, these ciders add a bit of agricultural sustainability to the greater area, forming part of the web of rural relationships that Finnriver seeks to promote.

The cidery
The cidery

Relationship, connection, and stewardship are all significant driving forces at Finnriver. With the assistance of the Jefferson Land Trust, conservation easements have been placed on the property so that it will remain agricultural land into the future. The 12 creek-side acres are undergoing salmon habitat restoration and reforestation through the Conservation Reserve Enhancement Program, so the farm is not only certified organic but certified salmon safe. When Dean and O’Donnell left to pursue other ventures, the Kislers found additional financial support through the first Local Investment Opportunity Network from investors wanting to keep their money in the community. Finnriver also participates in the Jefferson County FIELD intern program offering aspiring farmers a chance to learn by getting their hands dirty.

One stop on the Soil and Salmon Trail
One stop on the Soil and Salmon Trail

Offering the public an opportunity to connect with rural communities was part of the Finnriver ethos from the beginning. In addition to the cidery tasting room, which often pours one-off experimental ciders born from the imagination of one of the crew members, they have created a guided Soil and Salmon Trail that wanders through the fields and creek restoration project, giving visitors a overview of sustainable farming practices. And each October the farm hosts a World Apple Day festival, an event inspired by similar ones held since 1990 around the UK to promote apples as an example of a rich cultural/agricultural diversity worthy of recognition and preservation. In addition to music and food and tours of the farm, anyone is invited to bring their apples of unknown variety for identification by local apple expert Lori Brakken. And if they are more ambitious anyone can bring as many apples as they can carry to contribute to a community cider press. Part of the profits of the resulting cider, called Farmstead, are donated to the local Food Bank Association, just one more thread that adds to the fabric of community that the Kislers and Finnriver are weaving around them, one that shows how the small farms of the past can continue to be viable into the future.

A Brit Takes Root in Virginia Soil

Winchester sign

When we yanks think about British cider, if we think about it at all, we generally think of cider from the western counties found near the border with Wales, cider rich in complex tannins from what many think of as “proper cider apples”. There’s another style of cider in Britain, though, one traditionally made from the excess dessert and culinary fruit grown on the east side of the country in the orchards that fed the growing population of London. Ciders from the east are typically tarter and brighter and much less likely to have the astringency found in their western cousins. It’s the eastern style that cider maker Stephan Schuurman was thinking about when he founded Winchester Ciderworks with apple grower Diane Kearns and master brewer John Hovermale in 2012.

Virginia is one of the largest apple producing states in the union, most of them grown in the verdant Shenandoah valley in the northwest corner of the state. But apples weren’t on his mind when Stephen landed in Winchester in 2004. An engineer at the time, he was there for a 3 month assignment away from his home in the UK to set up a plastics facility. Something in the area must have called to him, though, since 3 months have turned into more than a decade.

A few Shenandoah apple trees
A few Shenandoah apple trees

Cider wasn’t actually the first idea for his next career. The original plan was to plant grapes and make wine, so he spent some time studying winemaking at the University of California, Davis before returning to his new Virginia home. By then the area had experienced an explosion of wineries – from 13 in 2005 to 30 by 2011 – and he rightly began rethinking the idea of being just one more in a crowd. At the same time, he found himself really missing the cider he grew up drinking at the local pubs back home. (Stephen is originally from Suffolk, growing up only 20 miles from Aspall Hall where the Chevalier family has been making cider commercially since 1728.) So he did what any enterprising young man would do. He bought himself a little press and a garden shredder with stainless steel blades and began fermenting cider of his own using interesting apples he could source from local famer’s markets. They worked out “rather well” so he was ready to head in another direction once he met Diane, a 4th generation orchardist who was looking for a way to diversify the product mix from her family’s 3600 acre apple orchard. Now they not only produce their own ciders but supply juice to a number other Virginia cideries.

Wichester Ciderworks’ signature cider is Malice, who’s name is a clever play on the genus of the apple, Malus. It has decidedly more in commmon with its homonym than its acutal name. Made from a blend of 5 dessert apples, it is a light gold with a pleasant fruity nose. Semi-dry (back sweetened with flash-pasturized fresh juice, not sugar) and sparkling, it is occasionally a bit hazy from apple pectins as neither the original juice or finished cider is ever filtered. The flavor is crisp, bright and a bit sweet, rich with the flavor of apples, though it finishes suprizingly dry. It pairs spendidly with nutty, buttery cheeses and classic pork dishes such as the snitzle served at the Village Market Bistro in Winchester. It is also packaged in cans, which while controversial in some circles does have its merits. Cans are recycled at a significantly greater rate than bottles, for one thing, and are light enough that the carbon footprint savings from transporting them can be fairly significant.

A Malice Black Velvet
A Malice Black Velvet

There is an interesting duality in those who forsake their native land for different climes, some ability to retain aspects of the old country while embracing something entirely new. One sees this duality in Stephen’s approach to cider making, a mix of by-the-book-scientist and cavalier bevarage-artist, a willingness to explore the different flavors that can be had from aging cider in used distilled spirits barrels while rejecting the addition of some popular adjuncts (hops are for beer, adding them to cider is just wrong). Though trained as a wine maker, he thinks of cider as its own category, not a substitute for either beer or wine, and in true Bristish fashion rejects the notion of cider cocktails except for the classic mixing with a good stout. In the end his goal is to make a cider he’s proud of, that reflects both his roots and his new soil. He has sold out first at both the 2013 and 2014 Richmond Cider Celebration events, so clearly he’s doing something right.